Sony PDW-700 (PDW700) XDCAM HD MPEG HD422 full 1920x1080 broadcast camcorder (4:2:2 sampling) - BODY ONLY
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Cat. no: sony_pdw-700 | ![]() |

Sony PDW-700 (PDW700) XDCAM HD MPEG HD422 full 1920x1080 broadcast camcorder (4:2:2 sampling) - BODY ONLY

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EUR:€1,661.33 +VATSony CBK-SC02 (CBKSC02) Analogue composite input board option for the PDW-700 XDCAM HD 422 camcorder
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EUR:€370.49 +VATThe PDW-700 will take XDCAM HD performance to a new level. It will record stunning quality HD images at up to 50Mb/s onto 50GB Dual Layer Professional Discs. The PDW-700 will have three 2/3-inch progressive CCD sensors each with full 1920 x 1080 resolution using newly developed “Power HAD™ FX” technology. 14 bit A/D conversion, 4:2:2 sampling and recording, and advanced digital signal processing will ensure superb picture quality. The PDW-700 will also support recording in both 1080 and 720-line formats.
The PDW-700 has been designed to increase the appeal of XDCAM HD for applications such as news, European TV drama, documentary and mainstream entertainment programmes that required a high quality look.
File-based acquisition onto Professional Disc, with thumbnail and proxy operation will also make the PDW-700 ideal for fast-turnaround news and live applications where speed of production is a critical requirement.
- Three 2/3-inch Power HADâ„¢ FX CCDs for RGB image capture, each with 2.2Mpixel resolution
- Support for existing XDCAM HD (and XDCAM SD formats via optional CBKZ-SD001 upgrade)
- 4 channels of digital audio
- Dual-layer Disc (50GB) and Single-layer Disc (23.3GB) support
- 3.5-inch colour LCD
- Thumbnail operation
- Proxy recording and metadata
- Compact and lightweight at 4.2kg (without viewfinder, lens, microphone and battery)
- Dual HD/SD-SDI output and composite/HD-Y output
- Built-in up-conversion to HD from SDI input when recording
- HD/SD conversion and cross conversion between 1080 and 720 at the camcorder output during playback
- Pool-feed input (HD/SD-SDI and composite) option
- Ethernet interface
- i.LINK interface
IT/Network Friendly
In the Sony XDCAM series of products, recordings are made as data files in the industry-standard MXF (Material eXchange Format) file format. This allows material to be handled with great flexibility in an IT-based environment - easily available for copying, transferring, sharing and archiving. All these operations are accomplished without the need for a digitizing process.
File-based data copying allows for degradation-free dubbing of AV content, which can be performed easily on a PC. The file-based recording system also allows for material to be viewed directly on a PC, simply by linking it to the XDCAM unit via an i.LINK connection. This works in just the same way as a PC reading files on an external drive.
The PDW-700 XDCAM HD422 camcorder comes equipped with IT-friendly, computer-based interfaces. These include an i.LINK interface supporting File Access Mode as standard, and an Ethernet interface.
Easy Maintenance and High Reliability
XDCAM HD422 products use the same platform as the XDCAM products in wide use around the world. They share the advantage of no mechanical contact between the equipment and the recording media, achieving both a high level of durability and a long media life. XDCAM HD422 products also offer the same high resistance to shock and vibration as other XDCAM products.
Powerful Nonlinear Recording
The XDCAM HD products use a large-capacity nonlinear optical disc for recording, called Professional Disc, which Sony has developed specifically for professional recording applications.
The PFD50DLA and PFD23A are 12cm, reusable optical discs. The PFD50DLA is a Dual Layer disc with a capacity of 50 GB, while the PFD23A is a Single Layer, 23 GB disc. The large capacity of the PFD50DLA makes it possible to record up to approximately 95 minutes of high-quality MPEG HD422 material.
The Professional Disc is extremely reliable and durable because it experiences no mechanical contact during recording or playback, and is packaged into an extremely durable and dust-resistant disc cartridge.
Non-contact recording and playback also makes it an ideal medium for long-term storage of AV assets. Whereas traditional tape archive systems must be rewound on a periodic basis to remove magnetic powder debris, the Professional Disc completely eliminates this process.
Its reliability has already been demonstrated by the huge number of XDCAM products deployed worldwide since 2003.
Highly Streamlined Workflows
At the same time as recording the high-resolution video and audio data, XDCAM products also record a low-resolution version of this AV data on the same disc. Called "Proxy Data", this is much smaller in size than the high-resolution data (1.5 Mb/s for video and 0.5 Mb/s for audio).
Because of its lower resolution, Proxy Data can be transferred to a standard PC at a high speed, and browsed and edited using the PDZ-1 Proxy Browsing Software (or other compatible editing software offered by industry-leading manufacturers). With the PDZ-1 software, it can be converted to the popular ASF format for playback on Windows??? Media Player, providing dramatic improvements in production workflows. Proxy Data can also be viewed directly on a PC without data transfer using an i.LINK (File Access Mode) connection, and can even be sent over a standard Ethernet network.
The overall flexibility of Proxy Data means that it can be used for a variety of applications, such as immediate logging on location, off-line editing, daily rushes of shooting on location, client approvals, and more.
Metadata
All XDCAM HD422 products are capable of recording a variety of metadata, which provides a huge advantage when searching for specific data after an initial recording has been made. Information such as production dates, creator names and camera setup parameters can be saved, together with the AV material, on the same disc using the supplied PDZ-1 software.
This makes it possible to organize and search through all recordings effectively. One particular metadata, called EssenceMark (Shot Mark), is a convenient reference that can be added to desired frames to make them easy to recall in subsequent editing processes. Clipflag* is another convenient metadata which users can add to their desired clips as "OK", "NG" or "Keep".
| GENERAL | |
| Mass: | Approx. 4.3 kg (9 lb 8 oz) (w/o options) |
| Approx. 6.0 kg (w/VF, Mic, Disc, BP-GL95 battery) (13 lb 4 oz) | |
| Power requirements: | DC 12 V +5.0 V/-1.0 V |
| Power Consumption: | Approx. 40 W (while recording, w/o options, colour LCD On) |
| Approx. 44 W (while recording, w/viewfinder, colour LCD On, manual lense, microphone) | |
| Operating temperature: | -5 to +40?°C (+32 to 104?°F) |
| Storage temperature: | -20 to +60?°C (-4 to +140?°F) |
| Humidity: | 10 to 90% (relative humidity) |
| Continuous operating time: | Approx. 120 min. w/BP-GL95 battery |
| Recording format | |
| Video: | MPEG HD422 (CBR: 50 Mb/s) |
| MPEG HD(*1) | |
| -HQ mode (VBR, maximum bit rate: 35 Mb/s) | |
| -SP mode (CBR, 25 Mb/s) | |
| -LP mode (VBR, maximum bit rate: 18 Mb/s) (Playback only) | |
| MPEG IMX(*2) (CBR, 50/40/30 Mb/s) | |
| DVCAM(*2) (CBR, 25 Mb/s) | |
| Proxy Video: | MPEG-4 |
| Audio: | MPEG HD422: 4 ch/24 bits/48 kHz |
| MPEG HD(*1): 4 ch/16 bits/48 kHz | |
| MPEG IMX(*2): 4 ch/24 bits/48 kHz or 4 ch/16 bits/48 kHz | |
| DVCAM(*2): 4 ch/16 bits/48 kHz | |
| Proxy Audio: | A-law (4ch/8 bits/8 kHz) |
| Recording/Playback time: | MPEG HD422, 50 Mb/s: Approx. 95 min. (PFD50DLA), Approx. 43 min. (PFD23A) |
| MPEG HD(*1), 35 Mb/s: More than 145 min. (PFD50DLA), More than 65 min. (PFD23A) | |
| MPEG HD(*1), 25 Mb/s: Approx. 190 min. (PFD50DLA), Approx. 85 min. (PFD23A) | |
| MPEG IMX(*2), 50 Mb/s: Approx. 100 min. (PFD50DLA), Approx. 45 min. (PFD23A) | |
| MPEG IMX(*2), 40 Mb/s: Approx. 120 min. (PFD50DLA), Approx. 55 min. (PFD23A) | |
| MPEG IMX(*2), 30 Mb/s: Approx. 150 min. (PFD50DLA), Approx. 68 min. (PFD23A) | |
| DVCAM(*2), 25 Mb/s: Approx. 185 min. (PFD50DLA), Approx. 85 min. (PFD23A) | |
| Viewfinder: | Optional |
| Built-in LCD monitor: | 3.5-inch type colour LCD monitor |
| SIGNAL INPUTS | |
| SDI (HD/SD switchable) (Option)(*3): | BNC x 1 |
| -HD-SDI: SMPTE 292M (w/embedded audio) | |
| -SD-SDI: SMPTE 259M (w/embedded audio) | |
| SD Composite (Option)(*4): | BNC x 1, 1.0 Vp-p, 75ohms, unbalanced |
| Genlock video: | BNC x 1, 1.0 Vp-p, 75ohms, unbalanced |
| Audio: | XLR 3-pin (female) x 2, Line / Mic / Mic+48V / ASE/EBU selectable |
| Mic: | XLR 5-pin (female, stereo) x 1 |
| Time code: | BNC x 1, 0.5 to 18 Vp-p, 10 ohms |
| SIGNAL OUTPUTS | |
| SDI (HD/SD switchable): | BNC x 2 |
| (Ch-1) | |
| -HD-SDI: SMPTE 292M (w/embedded audio) | |
| -SD-SDI: SMPTE 259M (w/embedded audio) | |
| (Ch-2 (character On/Off)) | |
| -HD-SDI: SMPTE 292M (w/embedded audio) | |
| -SD-SDI: SMPTE 259M (w/embedded audio) | |
| HD Y/SD Composite (switchable): | BNC x 1 |
| -HD Y | |
| -SD Composite (character On/Off) | |
| Audio: | XLR 5-pin (male, stereo) x 1 |
| Time code: | BNC x 1, 1.0 Vp-p, 75ohms |
| OTHER INPUTS / OUTPUTS | |
| Earphone: | Mini-jack x 2 (front: manaural, rear: stereo/monoral) |
| i.LINK: | x 1, 6 pin, File Access Mode Ethernet RJ-45 x 1, 100Base-Tx: IEEE802.3u, 10Base-T:IEEE802.3 |
| Lens: | 12-pin |
| Remote: | 8-pin |
| Light: | 2-pin, DC 12 V, max. 50 W |
| DC input: | XLR 4-pin (male) x 1, 11 to 17 V |
| DC output: | 4-pin x 1, 0.5 A max (for wireless microphone receiver) |
| Memory Stick: | x 1 (for camera setup files) |
| USB: | x 1 (for version-up) |
| AUDIO PERFORMANCE | |
| Frequency response: | 20 Hz to 20 kHz, +0.5 dB/-1.0 dB |
| Dynamic range: | More than 93dB |
| Distortion: | Less than 0.08% (at 1 kHz, reference level) |
| Crosstalk: | Less than -70 dB (at 1kHz, reference level) |
| Wow & flutter: | Below measurable limit |
| Headroom: | -12/-16/-18/-20 dB (selectable) |
| CAMERA SECTION | |
| Pickup device: | 3-chip 2/3-inch type HD Power HAD FX CCDs |
| Total picture elements: | 1920 x 1080 |
| Optical system: | F1.4 prism |
| Built-in optical filters: | 1: Clear, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND |
| Shutter speed: | 59.94i: 1/100, 1/125, 1/250, 1/500, 1/1000. 1/2000, ECS, SLS(*1) |
| 50i: 1/60, 1/125, 1/250, 1/500, 1/1000, 1/2000, ECS, SLS(*1) | |
| 25P: 1/33, 1/50, 1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000, ECS, SLS(*1) | |
| Lens mount: | 2/3-inch-type 48 bayonet mount |
| Sensitivity (2000 lx, 89.9% reflectance): | 59.94i: F11 |
| 50i: F12 | |
| Minimum illumination: | 0.016 lx (F1.4 lens: +42 dB, with 16-frame accumulation) |
| Gain selection: | +42, +36, +32, +24, +18, +12, +9, +6, +3, +0, -3, -6 dB(*5) |
| Smear level: | -135 dB |
| S/N ratio: | 59 dB (54 dB w/o Noise Suppression (NS) mode) |
| Modulation depth (center of view): | 45% or more |
| Geometric distortion: | Below measurable level (w/o lens) |

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